Oscar for Best Director, Jane Campion, winner became the third woman

The power of the dog A great favorite that has won numerous awards throughout the year is almost empty The 94th edition of the Oscars : Twelve nominations and multiple frustrations with each decision.

An unfortunate Will Smith is ahead of Benedict Cumberbatch to win the Oscar, Ariana Debos is ahead of Kirsten Dunst’s experienced player and CODA Best Film of the Year for Academics. Fortunately, The best directional statue for Jane Campion The only thing that has been good for the story produced by Netflix.

In the Best Director category, The New Zealand made history by becoming the third woman to win the award. Although Katherine Bigelow was the first for it Adverse land And Chloe Zhao has done the same, with Nomadland last year, Campion was already nominated for The Piano for the 1994 Oscar, the second woman to be nominated for the award since then. Thanks to Lina Wartmারller in 1976 Pasculino Seven Beauties . Finally, almost 30 years later, the director has won the respect he deserves for the great Westerners The power of the dog From going empty

It was the most selected of the night, and yet, in the end, it did not win the most prestigious recognition, nor did it collect the most trophies. In addition to its role CODA , Hill One that has been on stage the most times , With a total of 6 considerations by the Academy. Of course, most of them are technical: Best Photography, Editing, Soundtrack, Production Design, Sound and Visual Effects.

The Jane Campion Things were one Night’s “safe” reward for critics . The director’s tour at the top film festivals has been completely irresistible. Nonetheless, he took the Silver Lion to Venice, was critically acclaimed, and acclaimed at the BAFTA, Directors Guild of America, and the Convincing Golden Globes. After receiving the award, he is very brief in his speech but grateful to her, dedicating the victory to the entire team, producers, partners and daughters. “I like to manage because it lets you find a reality and make a story possible.” An emotional campaigner who at the same time wanted to praise the work of the author of the novel on which the film is based, Thomas Savage.

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